![]() ![]() as seen in paintings such as Night Windows (1938), Office at Night (1940). If you've not yet discovered Gustav's work, this particular project is a must-see. Director Gustav Deutsch brings 13 Hopper paintings to life in his film. It's a strikingly unique cinematic recreation of classic Hopper paintings – think Night Windows (1938), Office at Night (1940), Room in New York (1932), New York Movie (1939) and Intermission (1963) – all with their influences of film noir and choice of lighting, subject and framing. She is a woman with strong opinions and both feet on the ground, even during times of personal or professional crisis." He was considered one of the foremost realist painters of the twentieth century, inspired by the nineteenth-century Realist painter, Thomas Eakins. She enjoys jazz, listening to the radio and going out and loves film. Shirley experiences and reflects all this as a committed and emancipated actress with left-leaning politics. Gustav explains: "Here we have three decades, which have seen great upheavals at all levels – political, social and cultural – that have changed the country and its people forever. A woman who cannot identify with the traditional role model of a wife yet longs to have a life partner. ![]() Charting three decades from the 1930s, the character – played by a red-haired actress – is someone who would like to influence the course of history with her professional and socio-political involvement.Ī woman who does not accept the reality of the Depression years, WWII, the McCarthy era, race conflicts and civil rights campaigns as given but rather as generated and adjustable.
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